But does their form have an essence: on actually existing modernism

When photographing modernist buildings, I would move back and forward and sideways in an effort to frame them without the cars parked all around. I was trying to capture them a little removed from the city to which they now belong. I love modernist buildings for their defined edges and their utopian social ambition. But… Continue reading But does their form have an essence: on actually existing modernism

Making horizons, making cities: reading a moment through three languages

Buildings are languages spoken at the intersections of space and time in the making of the city. Weathering languages, stealth blue concrete high-rises, sometimes speaking in Russian in the NDMC rashtra bhasha corridors. There is babble on the street, incremental refugee colonies, with Punjabi baroque and Arya Samaj façades, Bengali Victorian art deco balconies and… Continue reading Making horizons, making cities: reading a moment through three languages

Seeing the city, one mug at a time

‘Have you seen this ethnography on the erstwhile Volga restaurant of Connaught Place?’ I asked someone during a conversation. ‘Is it a movie, since you are asking about seeing it?’ was the immediate response. Somewhere in the last few decades, we have started using ‘seeing’ with reference to text, meaning anything from ‘coming across’ something… Continue reading Seeing the city, one mug at a time

How many houses can you count in Jhabvala’s portrayal of this Old Delhi lane?

The buildings are tall. They are densely packed together. Some go really high, adding yet another half-floor, covered by a slanted tin-shade. Others fall short in claiming their position in the skyline, only because they are next to tall ones. Yet, two-thirds of this watercolour is devoted to depiction of the sky, covered in dark… Continue reading How many houses can you count in Jhabvala’s portrayal of this Old Delhi lane?