In the Foreword to Alain Corbin’s The Foul and the Fragrant: French Social Imagination (1986),[1] Roy Porter writes that ‘Today’s history comes deodorized. Thanks to experts in art, architecture, and artifacts, our eyes have been opened to what the past looked like; and all who have immersed themselves in diaries, novels, and letters will have their… Continue reading Smell and the City I
Chiragh Dilli 