The city, in love

The two pieces included in this post are part of a book in progress that Sailen is writing, comprising a series of Odia short stories set in Bhubaneswar. The stories are around the theme of ephemeral and routine encounters of love, or its possibility, located in places that serve as public and private landmarks of everyday life in the city.

The night jasmine

I notice the night jasmine in front of my house in Bhubaneswar, after many years, when it gets infested with termites. The insects have woven a second skin around the tree. I hate termites. They eat books. I break a twig—as long as my forearm and as thin as Rumi’s little finger—from the guava tree that grows just beside the night jasmine. I don’t remember whether I planted the night jasmine or if it has grown on its own.

Letters from Karachi

ab toh yahaan ke mausam mujhse aisi umeedein rakhte hain jaise hamesha se main yahin hoon Gangaji aur Jamunaji Amrohe mein Baan nadi ke paas jo ladka rehta tha ab woh kahan hai? Main toh wahin hoon Gangaji aur Jamunaji [Now even the seasons here have such expectations of me as if I have always been here, Gangaji and… Continue reading Letters from Karachi

What she thinks when she thinks about walking

Since we’re not young, weeks have to do time for years of missing each other. Yet only this odd warp in time tells me we’re not young. Did I ever walk the morning streets at twenty, my limbs streaming with a purer joy? did I lean from any window over the city listening for the… Continue reading What she thinks when she thinks about walking

Red is not a colour

‘Color clings more, not necessarily to the object, but to territoriality...’ —Deleuze and Guattari[1] ‘sab qatl hoke tere muqabil se aaye hain, hum log surkh-ru hain ki manzil se aaye hain’ (After being ambushed, we have returned to you, Unabashed we have come back home) —Faiz Ahmed Faiz[2] Red is not a colour[3] but a… Continue reading Red is not a colour

Love in the time of the monumental

‘The black, pensive, dense/domes of the mausoleums/suddenly shot birds/into the unanimous blue.’ —‘In the Lodi Gardens’, Octavio Paz ‘Yeh kahan aa gaye hum, yunhi saath chalte chalte...’ —Silsila (1981) As an anthropologist of space, place and architecture, I have always wondered about the monument. Moving back to Delhi, the city of monuments, a cryptographic ensemble of… Continue reading Love in the time of the monumental